New PDF release: “And it’s all there” – Intertextual Structures, Themes, and

By Kathrin Fäller

ISBN-10: 3656066248

ISBN-13: 9783656066248

degree Thesis from the yr 2010 within the topic English Language and Literature reports - Literature, grade: 1,3, Martin Luther collage (Institut für Anglistik und Amerikanistik), language: English, summary: With the expansion in reputation because of sequence like Anne Rice’s The Vampire Chronicles and the motif’s ordinary presence in cinematic variations of Stoker’s Dracula in addition to quite a few television codecs public curiosity hasn't ever ceased to the current day. because the most vital attribute of the vampire is its being multi-faceted and altering, its power to be additionally of significant intertextual worth could be thereupon thought of. for this reason, it may be assumed that Meyer’s tetralogy truly inspires those circumstances of intertextuality in the course of the adoption of styles and issues that experience already proved efficient in past literary works. despite the fact that, in Meyer’s paintings those assets are remarkably prolonged and infrequently even altered as she is based to a wide half on her pretexts to inform her narrative and build a postmodern vampire determine.
In order to accomplish a accomplished research it will be important to include all 4 volumes – Twilight, New Moon, Eclipse, and Breaking sunrise – of the Twilight sequence within the dialogue. Meyer’s only recently released paintings the quick moment lifetime of Bree Tanner: An Eclipse Novella will purely have interaction a marginal a part of the research because it principally concentrates at the subplot of Eclipse, for this reason now not being really major for the most occasions of the tale. nonetheless, Meyer’s nighttime solar, even though until eventually the current day a but unfinished and unpublished manuscript, is of significant significance for the next research.
Meyer dwells on a few subject matters, constructions, and characters that experience intertextual strength. you may distinguish among pretexts which are it seems that marked in Meyer’s paintings and assets that in simple terms endure non-literal intertextual references. Pretexts which are openly marked and are therefore explicitly intertextual within the Twilight sequence are: Emily Brontë’s Wuthering Heights, William Shakespeare’s Romeo and Juliet, The Midsummer Night’s Dream and The service provider of Venice, Bram Stoker’s Dracula in addition to Jane Austen’s delight and Prejudice,
Sense and Sensibility and Mansfield Park. a few different pretexts are just covertly marked as they element again to literary traditions or personality forms. Pretexts which are implicitly marked are: Mary Shelley’s Frankenstein, Johann Wolfgang von Goethe’s Die Braut von Korinth, Samuel Taylor Coleridge’s The Rime of the traditional Mariner and Christabel, John Keats’ Lamia, Henry Mackenzie’s the fellow of Feeling, Lord Byron’s Manfred in addition to Roman Polanski’s motion picture model of Rosemary’s Baby.

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“And it’s all there” – Intertextual Structures, Themes, and Characters in Stephenie Meyer’s "Twilight" Series by Kathrin Fäller


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